Life finds true meaning when it is lived in alignment with God
Maisha Yanaisha, composed by Bernard Mukasa and performed by Quadri V stands as both a reminder and an invitation: life finds true meaning when it is lived in alignment with God.
OMaisha Yanaisha, composed by Bernard Mukasa and performed by Quadri V stands as both a reminder and an invitation: life finds true meaning when it is lived in alignment with God.
The choir behind the song, Quadri V, is a family-based ensemble nurtured under Mukasa’s mentorship. Their interpretation gives the piece a grounded and vibrant tone, weaving together harmony and message. The voices rise in unity, urging listeners to enjoy the music and to internalize its lessons.
Maisha Yanaisha underscores prayer as the heart of Christian living. Mukasa highlights the necessity of consistent prayer, not as ritual alone, but as a bridge toward God’s blessings. Alongside prayer, the song emphasizes human relationships: living peacefully with one another as a pathway to grace.
The refrain suggests that life acquires its true beauty when it is pleasing to God. Rather than pursuing fleeting pleasures, believers are encouraged to cultivate a life of contemplation and service. For Mukasa, life is a journey that gains depth only when illuminated by faith.
To reduce Mukasa to merely a songwriter would be a misreading of his vocation. His craft extends far beyond notes and melodies. A man with strong theological grounding, Mukasa has been deeply invested in faith-centered writing. By 2020, he had authored three published books—Mungu Yule, Ongoko, and Utume wa Uimbaji.
One of his published books, Gusaneni Majeraha, has already circulated widely, positioning him not only as a composer but also as a religious thinker intent on nurturing faith through the written word. His literary pursuits echo the same mission that drives his music: spreading the Gospel and strengthening the community of believers.
Mukasa’s musical formation has been shaped by a pilgrimage through multiple choirs across Tanzania. Each ensemble has left an imprint on his voice and his ministry, widening the horizons of his composition style.
He began his journey in the Kwaya ya Malaika, a children’s choir in the Parish of Biharamulo, Diocese of Rulenge-Ngara. From there, he moved to the St. Cecilia Choir within the same diocese, deepening his liturgical foundation. His time with the YCS Choir at Tabora Boys broadened his exposure, preparing him for later roles.
Back in Biharamulo, he served with Bikira Maria Msaada wa Wakristo Choir, followed by membership in the St. Fransisco Exaviery Choir at Chang’ombe Parish, Archdiocese of Dar es Salaam. Further engagements included the St. Denisi Sebugwao Choir in Sumbawanga and the St. Joseph the Worker Choir in Ruanda, Archdiocese of Mbeya.
Today, he is an active member of St. Kizito Choir (KMK) at Makuburi, Archdiocese of Dar es Salaam. Each of these experiences enriched his artistry, exposing him to the diversity of Tanzanian Catholic hymnody while sharpening his pastoral sensibilities.
The fruit of these journeys is evident in the unique texture of Mukasa’s compositions. His work often carries the solemnity of Catholic liturgy yet remains infused with Tanzanian rhythm and cultural identity. The result is music that feels both traditional and contemporary, familiar yet refreshing.
Quadri V, the choir entrusted with performing this song, embodies the communal spirit that Mukasa emphasizes. Being a family-based group, their sound is not just about technical precision but about unity and shared devotion. Under Mukasa’s guidance, the choir has cultivated a style that merges familial warmth with disciplined artistry.
Their rendition of Maisha Yanaisha captures both the gravity of its message and the joy of worship. The voices flow seamlessly, encouraging a call to prayer and right living.
In a world often defined by speed, distraction, and fleeting pleasures, Maisha Yanaisha offers a countercultural message. It insists that life is about purpose—one that must be anchored in God. Prayer, contemplation, and peace with others form the pillars of a meaningful life.
For Mukasa, Maisha Yanaisha is not merely another addition to his growing catalogue. It is a continuation of his ministry, one that blends music, writing, and pastoral engagement. Whether through manuscripts, choirs, or compositions, he consistently seeks to deepen the faith of those who encounter his work.
His story is still being written. With every song, every book, and every choir he serves, Mukasa adds another layer to a legacy of devotion.
